Tag Archives: Mad Men

How ‘Mad Men’ Could Cover Events Of The Late 1960s

By The Huffington Post News Editors

Watching how “Mad Men” incorporates the real-life historical and cultural events of 1960s into its storylines has become a favorite past-time for fans of the hit AMC advertising drama. And as the show’s Season 6 timeline approaches the tumultuous and revolutionary late ’60s, the potential for “Mad Men” to intersect with the cultural touchstones of that era could be a fascinating aspect of the new season.

Although the precise starting point of the upcoming sixth season is a closely-held secret, we know that Season 5 left off in the spring of 1967 and it’s not unusual for “Mad Men” seasons to skip ahead 6 months or so from where they last left off. We’ve seen photographs that show Pete Campbell sporting mutton chops and and Harry Crane rocking a Beatles-esque shaggy haircut. Doing the math, it seems like “Mad Men” has the opportunity to tackle the heartbreaking assassinations, sweeping social change and music and media of 1968 and 1969, which still resonate to this day

So let’s take a totally speculative look at what real-life, late ’60s events “Mad Men” might tackle in Season 6. In the slideshow below, check out a timeline of historical and cultural events that could touch the new “Mad Men” season in some way, and our light-hearted predictions for how the show could work them into its storylines.

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Source: FULL ARTICLE at Huffington Post

Jessica Pare Terrified By The Return Of ‘Bad’ Don Draper On ‘Mad Men’

By The Huffington Post News Editors

Bad Don” is back and though “Mad Men” fans might be excited, Jessica Pare is terrified.

“People want to see the Bad Don come back. As an audience member, I get it,” Pare told the New York Post. “As the woman who plays Megan Draper, I’m terrified.”

The Season 5 finale of “Mad Men” ended with a woman approaching Don (Jon Hamm) asking if he’s alone, leading viewers to believe he’ll return to his philandering ways.

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Source: FULL ARTICLE at Huffington Post

What the Sheryl Sandberg/Susan Patton Debate About Women Says About Us Now

By David Cooperstein, Contributor

I am catching up on Season 5 of Mad Men, which takes place when the common-held notions of  race, gender, and traditional family and work roles are fracturing as quickly as the San Andreas fault did in 1989. Without having to issue a spoiler alert, let me tell you that the season has its share of women declaring themselves independent, black people entering the white workforce, riots and mass murders shaking the staidness of the early 60s, and good ol’ Don Draper taking legitimate stock of his life. …read more
Source: FULL ARTICLE at Forbes Latest

Is Netflix a Housing Play?

By Rick Munarriz, The Motley Fool

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Drywall, hardwood planks, and Netflix ?

Jim Cramer offered an interesting perspective on the leading video service as a housing play during last night’s Mad Money show.

“Despite its run, I think the stock has a strong chance of repeating its excellent performance,” Cramer argues in discussing the shares that more than doubled this past quarter — and have more than tripled since last summer.

He positions Netflix as a takeover target. He also points to the success of shows on cable networks in recent years. The desire for fans to get up to speed is now coming from binge viewing on Netflix.

Believe it. Mad Men — not to be confused with Mad Money — returns on AMC Networks for its sixth season on Sunday. When ratings for the fifth season’s premiere spiked 20% last year, the show’s producer gave Netflix a lot of the credit.

After all, the show made its four earlier seasons available through the streaming service months ahead of the new season. At the time, Netflix chief content officer Ted Sarandos pointed out that 3.5 million of its subscribers watched the fourth season of the show through the video service, and that 800,000 accounts went through all of the earlier seasons.

However, Cramer’s most interesting claim is that Netflix is a housing play.

There’s no place like home screen
“As more homes are built, cable, dish and Netflix get hooked up,” he says. “It’s a natural tailwind. When you buy that new TV it has that Netflix clicker on the bottom.”

He’s right. The home resale market is buzzing again, but the real growth is taking place in new construction.

Lennar reported blowout quarterly results two weeks ago. New home deliveries were up 28%, but new orders rose by an even more encouraging 34%. We may be only talking about thousands of incremental homes in Lennar’s case, but when you work the math across the countless other real estate developers, you’re seeing a lot of homes going up in areas that were just tracts of land when the housing market stalled.

There are plenty of new homes going up, and saving money after signing off on a new mortgage makes in-home entertainment a very smart play. Given the three-figure monthly ransoms offered by cable and satellite companies, it wouldn’t be a surprise to see a lot of first-time home buyers this year simply going for a Wi-Fi connection and sticking with HD antennas for over-the-air networks and Netflix for everything else.

Netflix is already at more than 27 million domestic subscribers, making it larger than any single cable or satellite service, and that figure is only going to get bigger as more video buffs get their own place.

The streaming dead is alive
The tumultuous performance of Netflix shares since the summer of 2011 has caused headaches for many devoted shareholders. While the company’s first-mover status is often viewed as a competitive advantage, the opportunities in streaming media have brought some new, …read more
Source: FULL ARTICLE at DailyFinance

Designing Don Draper's World

By Natalie Wearstler, Contributor

It’s hard not to swoon over the set designs on Mad Men, the acclaimed AMC drama about 1960s New York City ad executive Don Draper. His world is a visually fascinating one, filled with mid-century modern office furniture, sultry bars in classic hotels and lavish dinners with beautiful women. Even at its darkest plot points, the show’s nostalgic aesthetic appeals to design and history buffs with a consistently accurate portrayal of the Madison Avenue scene as experienced by the tortured Don Draper. …read more
Source: FULL ARTICLE at Forbes Latest

‘Game Of Thrones’ Cast As ‘Arrested Development’ Cast And More

By The Huffington Post News Editors

“Game of Thrones,” “Arrested Development,” “Mad Men,” “Seinfeld” — we love a show with a powerful ensemble. Bring on the chubby sidekicks, the sulky blondes, and the weird guys with odd hobbies! In honor of “Game of Thrones'” third season (which premiered last night — read our recap here), we reimagined the people of the Seven Kingdoms (and beyond) as the casts of some of our other favorite television series. Winter is coming to all kinds of places.

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Source: FULL ARTICLE at Huffington Post

Ke$ha’s Costume-y Look Tops This Week’s Worst-Dressed List (PHOTOS)

By The Huffington Post News Editors

The Kids’ Choice Awards is a chance to take some risks, but along with daring looks come style slips. Ke$ha showed up looking like something out of “A Clockwork Orange” and Kristen Stewart turned heads in teeny tiny shorts and a pointy shouldered top that was giving off a “Star Trek” vibe.

“Mad Men” celebrated its premiere this week and the stars stepped out looking … interesting. January Jones took a risk in a sheer-up-to-there dress and Christina Hendricks covered up those gorgeous curves in an awkward frock.

Check out those over-the-top looks, as well as more celebrities who made our week’s worst-dressed list. Are we being too harsh? Or do you agree with us?

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Source: FULL ARTICLE at Huffington Post

Matthew Weiner Hates Getting Rid Of ‘Mad Men’ Characters

By The Huffington Post News Editors

The hardest part about “Mad Men” for Matthew Weiner is also probably the hardest part for viewers: saying goodbye to characters.

In an interview with The Wall Street Journal, Weiner revealed how difficult he finds getting rid of characters like Lane Pryce (Jared Harris) and Sal Romano (Bryan Bratt). It’s necessary to raise the stakes, but Weiner isn’t a fan of doing it.

“It’s a commitment to your audience,” he said. “But it’s hard to do. And when the time comes, I have to be dragged kicking and screaming.”

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Source: FULL ARTICLE at Huffington Post

Netflix: Madder Than Competitors

By Tim Beyers, The Motley Fool

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Wouldn’t you know it? Just as talk of Netflix facing stiff competition reaches yet another fever pitch — including fresh rumors of music streamer Spotify entering the biz — Reed Hastings and team today quietly posted all 13 episodes of season 5 of “Mad Men,” a move that’s sure to make some of the company’s 30 million-plus subscribers happy.

“This show is perfect. The look is great. Characters are complex and seriously flawed. Love the way they bring historical events into the show (Kennedy assassination, riots, Vietnam)… we need season 5!” wrote one reviewer at Netflix’s page for the AMC Networks hit.

“LOVE LOVE LOVE this show! My only regret is watching all 4 seasons so fast. Come on with Season 5!!” wrote another.

Their enthusiasm is understandable: “Mad Men is a multiple Emmy award winner. Amazon.com also carries all five seasons of the show but only for purchase. Prime members aren’t permitted to stream episodes for free the way I can on Netflix.

Source: Netflix.

Hulu doesn’t have an answer either, while Redbox Instant — the still-beta streaming joint venture between Coinstar and Verizon — plans to offer movies only.

My point? Reports to the contrary, it’s a relatively small (and apparently) shrinking pool of bidders for the sorts of episodic content that makes for Netflix’s bread and butter. Getting more of shows like “Mad Men” helps tune and rev the earnings engine.

Not that you’d know it from the news wires. No fanfare accompanied the update. I wouldn’t even be writing this were it not for an email from Netflix, which tracks my interests well enough to know that I watch “Mad Men” from time to time. (Presently, I’m going through episodes of “The West Wing.”) The email was a simple reminder to check back in, which I will when time permits.

What about you? Are you a Netflix subscriber? Let us know what you think about the company and its competitors in the comments box below.

And if you’re interested in tuning in to a closer view at the streaming market and Netflix’s role in it, I invite you to try our brand-new premium research report. Inside, you’ll learn about the key opportunities and risks facing the company, as well as reasons to buy or sell the stock. We’re also offering a full year of updates as key news hits, so make sure to click here and claim a copy today.

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Source: FULL ARTICLE at DailyFinance

Elisabeth Moss Excedrin Commercial: ‘Mad Men’ Actress On The Ad She Can’t Escape (VIDEO)

By The Huffington Post News Editors

Though she’s now famous for her tough-as-nails attitude at Sterling Cooper Draper Pryce on “Mad Men,” Elisabeth Moss wasn’t always Peggy Olson.

In 2005, then-“West Wing” star Moss appeared in an Excedrin commercial (above) that resurfaced when she rose to fame on “Mad Men” in 2007 and still airs to this day.

“It was a good ad and a good performance, but if the person becomes recognizable, I would think that would work against you, because you want a normal person,” Moss told New York Times Magazine of the Excedrin commercial.

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Source: FULL ARTICLE at Huffington Post

Netflix Raised Another Show From the Dead

By Anders Bylund, The Motley Fool

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Netflix is getting pretty good at raising the dead. Just ask AMC Networks .

No, I’m not talking about AMC‘s hit zombie series, The Walking Dead. That title is nowhere near death, rising to break cable ratings records and lifting AMC shares a market-beating 30% over the last year. Critics and skeptics of newfangled distribution models would say that this is despite a distribution deal with Netflix for prior seasons. Netflix CEO Reed Hastings, of course, says that his streaming service actually helps AMC find new fans for existing hit shows like The Walking Dead. I’d say that the numbers are on Hastings’ side. You be the judge.

The latest revival here is AMC‘s murder mystery show, The Killling, which was canceled last summer after an Emmy-nominated two-season run. It’s coming back again, and Netflix suddenly seems sure to have played a life-saving role in its revival.

News Corp. division Fox Television Studios, which produces the show while AMC manages distribution duties, wanted the darn thing to live. The producers talked to Netflix and DIRECTV about defibrillating the flatlined property.

DIRECTV has some experience with extending canceled shows, like when it added two more seasons to legal thriller Damages and three seasons to sports drama Friday Night Lights. So does Netflix, which will launch a fourth season of Fox sitcom Arrested Development this May — after a seven-year blackout. DIRECTV was reportedly very interested but didn’t bite in the end. Neither did Netflix, at least not directly. Instead, AMC reupped The Killing on its own. But Netflix must have had a finger in that life-saving pie.

Netflix just announced that it has landed exclusive rights to stream The Killing season 3 globally. The agreement with Fox shuts premium cable networks and other online subscription services such as Hulu or Redbox Instant out of the new season, and also brings the first two go-rounds to Netflix customers everywhere.

And the new season would probably not have happened without Netflix’s help.

“Our agreement with Netflix played an extremely significant part in the studio’s strategy that enabled us to bring The Killing back for a third season,” said Fox Television president David Madden. It’s safe to say that Netflix’s license payments pushed this show out of the casket.

The show was originally canceled due to lower viewership even as the material snagged a second round of major awards nominations. This deal will serve as a litmus test for the idea of Netflix distribution breathing new life into forgotten shows. AMC certainly has reason to believe in Netflix helping out, given the continued success of The Walking Dead, Breaking Bad, and Mad Men after letting Netflix in on the fun.

And if both The Killing and the upcoming reboot of cult comedy Arrested Development both turn out to be hits, Netflix might just become the go-to destination for prematurely killed high-quality TV shows.

Can Netflix overcome the rising tide of movie …read more
Source: FULL ARTICLE at DailyFinance

Market Minute: Comcast Xfinity Customers to Get 100 TV Series for Free

By The Associated Press

watching TV

Filed under: ,

If you feel left out because you don’t watch the hot TV show that everyone’s talking about, now’s your chance to catch-up.

Have you ever marathoned?

Not the 26-mile race, the new practice of binge TV watching to catch-up on a whole season of a show you missed.

(Alamy)

Comcast (CMCSA), the nation’s largest cable provider, will offer 100 TV series — more than 3500 episodes — for free to its Xfinity customers. It’s a one-week promotion at the end of this month, from March 25th through the 31st, that’s designed to get you hooked.

If you do get addicted to some of these shows, you might sign up for some of its more expensive tiers of programming.

It’s also intended to battle the increasingly popular video streaming services from Netflix (NFLX), Amazon (AMZN), Hulu and others. And we’re not talking about 30 year old episodes of “M*A*S*H.” Comcast has deals with all of the broadcast networks, as well as 30 cable channels, including premium ones such as HBO and Showtime. Some of the hot shows that will be available include “Downton Abbey,” “Game of Thrones,” “Homeland,” “Girls,” “Mad Men” and “The Walking Dead.” The promotion also includes some series that are no longer making new episodes, such as “The Sopranos,” “Sex and the City” and “The Wire.”

And you can watch these shows from their pilot episode all the way up to the most recent one.
You can park yourself on the couch for a week, or watch on the go. Comcast customers can also access all of the programs on mobile devices and tablets.

But if you’re a basketball fan, this “free” week could present a big dilemma: it’s right in the middle of March Madness, the college basketball championship tournament that also encourages marathon TV watching. You may need to clear your schedule of everything else so that you can take part in all of the water-cooler talk about TV shows and sports.

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Source: FULL ARTICLE at DailyFinance

Comcast Launches Xfinity 'Watchathon Week': The Biggest-Ever TV Catch-Up with Thousands of Episodes

By Business Wirevia The Motley Fool

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Comcast Launches Xfinity ‘Watchathon Week’: The Biggest-Ever TV Catch-Up with Thousands of Episodes from Today’s Hottest Shows, Available for Free

From March 25-31, Xfinity TV Customers Will Enjoy an All-Access Pass to 100 TV Series; Binge on Every Episode of Every Season of Game of Thrones, Duck Dynasty, Downton Abbey, Spartacus, Girls, Dexter, True Blood, House of Lies, Californication, Psych and Much More

Also Catch Full, Current or Most Recent Seasons of Mad Men, The Walking Dead, Touch, The Bachelor, Revolution, The Americans, Portlandia and Many Others

PHILADELPHIA–(BUSINESS WIRE)– Comcast, a global media and technology company, today announced plans to bring Xfinity TV customers an all-access, free pass to the biggest TV catch-up in TV history from March 25-31. With every episode of every season of TV‘s hottest series, like Game of Thrones, Downton Abbey, Dexter, Girls, Spartacus and Duck Dynasty, plus full, current or most recent seasons of Mad Men, Revolution, The Walking Dead, Touch, Chicago Fire, Psych, Parenthood and The Americans, the first Xfinity Watchathon Week will offer a massive collection of content from the best networks never before available for free in one place.

During Watchathon Week, Xfinity TV customers will have access to more than 3,500 episodes of 100 TV series across 30 premium, cable and broadcast networks. Watchathon Week will also offer almost the entire on demand TV libraries of HBO, SHOWTIME, STARZ and CINEMAX, including the critically acclaimed shows that kick-started the TV catch-up phenomenon, like The Sopranos, Sex & The City, Dexter and The Wire. The event will also give viewers a chance to catch up on hit series Game of Thrones, just prior to its third season debut on HBO, March 31. All Video On Demand (VOD)-enabled Xfinity TV customers will have access to this content, and across multiple screens when available.

“The scale of Xfinity Watchathon Week is enormous,” said Maggie Suniewick, Vice President, Video Services, Comcast Cable. “This will be the biggest catch-up ever in TV history, offering Xfinity TV customers the opportunity to binge view the hottest shows on top networks for free. It takes the TV catch-up concept to an entirely new level with every episode of every season of TV‘s best shows, in addition to the tens of thousands of content options already available for free on Xfinity On Demand.”

Watchathon Week content will be available on multiple platforms and devices – through Xfinity On …read more
Source: FULL ARTICLE at DailyFinance

‘Mad Men Recap’: Matt Weiner, Jon Hamm Set Stage For Season 6

By The Huffington Post News Editors

A new season of “Mad Men” is almost here and viewers didn’t have to wait more than a year to see it.

In HuffPost TV’s exclusive “Mad Men” recap below, series creator Matt Weiner and the show’s stars dissect the final moments of Season 5 and hint at what’s to come with “Mad Men” Season 6.

Season 5 saw the shocking death of Lane Pryce and the firm dealing with the fallout, including guilt associated with his suicide.

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Source: FULL ARTICLE at Huffington Post

‘Mad Men’ Lawsuit: Gita Hall May Sues Over Opening Credits

By The Huffington Post News Editors

Mad Men” could be in hot water thanks to a lawsuit from Gita Hall May.

According to The Hollywood Reporter, May, who was a fashion model during the 1950s and 1960s, filed a lawsuit against “Mad Men” producer Lionsgate Entertainment in LA’s Superior Court. She charges that her image from a Richard Avedon photograph from more than half a century ago is being used in the opening credits of “Mad Men” without her consent.

In the suit, May, 79, said the photo is from a Revlon ad and she only gave permission for image to be used in that ad and did not intend for “forty years later, her image to be cropped from the photo, in secret, and inserted as a key element in the title sequence of a cable television series, without her consent and for commercial purposes.”

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Source: FULL ARTICLE at Huffington Post

Mercedes-Benz CLA-class “Soul” Super Bowl Commercial: It’s a Hell of a Spot [The Ad Section]

By Don Klein

Mercedes Benz CLA Ad

Award-winning ad man-cum-auto journalist Don Klein knows a good (or bad) car commercial when he sees one; the Ad Section is his space to tell you what he thinks of the latest spots. The ad’s rating is depicted via the shift pattern at the bottom, but everyone has an opinion when it comes to advertising, so hit Backfires below and tell us what you think, too.

About 10 years ago, Mercedes-Benz showed how not to introduce a down-market luxury car. That failed experiment was a strange little two-door called the C230 Kompressor. It featured cloth seats and a hatchback (although Mercedes never used that word in official communiqués). Depending on your point of view, it was either sporty or fugly, but it screamed cheap no matter how you looked at it, an image that didn’t sit well with traditional Mercedes owners.

A decade later, Mercedes wants to dip back into the low end of the pool, with good reason: A lot of cars sold in this country hover around the $30,000 price point (including entry-luxury models like the Acura ILX, Audi A3, and BMW 1-series). Of course, none currently wear a three-pointed star. Enter the CLA-class. Looking more or less like a CLS after a very cold shower, this compact sedan is clearly a Mercedes. You won’t be able to buy one until this fall, but when you can, the car will have the standard equipment you might expect in a Benz (seven-speed dual-clutch auto, Bluetooth connectivity, a 5.8-inch infotainment display, and the mbrace2 suite of smartphone-integrated apps and services) and options you definitely expect in a Benz. The latter include a panorama-style sunroof, heated front seats, dual-zone climate control, pre-collision braking, blind-spot monitoring, infotainment system upgrades, lane-keeping assist, and a parking-assist system that even some of the pricier Mercedes models don’t yet offer. Still, the CLA has that decidedly un-Mercedes $30,825 base price—the $29,990 number cited in the commercial doesn’t include destination and delivery—so how does the company tout that without tarnishing its upscale image? You make a commercial that blows everyone’s socks off.

The premise underlying “Soul” is simple: If you want something that you can’t afford, maybe you can get it by selling your soul to Satan. But as the old saying does, the devil is in the details and it’s the ad’s extravagant execution that makes it so powerful. Anybody who has ever written commercials for a living has got to be jealous of the creative team that got to make this spot. Clearly, money was no object:

Willem Dafoe would make a great Satan, but he’d cost a fortune.”

 “No problem, hire him.”

 “But we also need a sexy model.”

“You mean like Kate Upton?”

“Yeah, she’d be perfect, but . . .”

“No problem, hire her. And hire Usher, too. And while you’re at it, make sure we keep using Jon Hamm, the guy from Mad Men, for our voiceovers.”

“But what about the music? It would be amazing if we could get the Stones’ …read more
Source: FULL ARTICLE at Car & Driver

Why 'Makers' Is a Film Every Woman Should See

By Dina Gachman, Contributor

Most of us watched the first season of Mad Men and marveled at the rampant sexism experienced by every single woman on the show. Even if we’d encountered our own, more veiled, modern-day conference room ogling or verbal slights (“Morning, sweetie” – not cool, guys), that 1960 Manhattan office felt faraway, even shocking. It’s easy to forget what America was like for our grandmothers and mothers, and to dismiss the notion that things could pretty easily shift backwards, which is why we should all check out the new documentary Makers. …read more
Source: FULL ARTICLE at Forbes Latest

Super Bowl XLVII Car Commercials: The Best, the Worst, and the “Meh” [The Ad Section]

By Don Klein

Super Bowl XLVII Audi Prom Commercial

A good commercial is one that breaks through the clutter, registers a convincing sales message and sears itself into your memory. I call it the Rule of IMP, for Intrusive, Memorable, and Persuasive. But for Super Bowl commercials there’s an additional rule: They’ve got to be entertaining as well. So which ones have us buzzing around the virtual water cooler today? Here’s our take, with each slotted alphabetically into three categories—Best, Worst, and Meh. Award-winning ad man-cum-auto journalist Don Klein knows a good (or bad) car commercial when he sees one; the Ad Section is his space to tell you what he thinks of the latest spots. But everyone has an opinion when it comes to advertising—especially during the Super Bowl—so hit Backfires below and tell us what you think, too.

The Best

Audi “Prom

This year’s Super Bowl commercial is another big win for Audi’s brilliant marketing team, not only because of the spot itself—which was for the bad-ass S6 sedan—but because of the social-media program that surrounded it. A week before the game, Audi invited people to visit their Facebook page to vote for one of three endings with the promise that the winner would be revealed during the game. But of course, the company tipped its hand, and the spot had more than 6.6 million views on YouTube by game time. The spot itself is extremely well executed (shades of Superbad?), but the kid in BMW’s prom commercial I reviewed last month got a cuter girl without suffering a shiner.

Mercedes-Benz “Soul”

Kate Upton. Willem Dafoe. Usher. Mad Men’s Jon Hamm. Original Stones track. Cast of thousands. Multiple locations. Incredible SFX. There are foreign countries with GDPs that are smaller than this commercial’s budget. But you know what? It’s money well spent. The entire production is as sharp as Satan Dafoe’s fingernails. Conceptually, it’s brilliant: At just $29,990 (plus destination), you don’t have to make a deal with the devil to get a real Mercedes and everything the brand stands for. Mercedes is going to sell a ton of CLAs, and this commercial is a big reason why. Huge IMP factor.

Ram “So God Made a Farmer”

Using an original, scratchy recording of the late Paul Harvey, this is a two-minute sermon about why God created farmers. It’s poignant, accurate, and powerful, especially for America’s independent farmers, who not so incidentally rely on their trucks. While it’s intended to sell Rams, there’s no exploitation here, just a handful of fleeting visual product references. The real focus is on portraits of the men, women, and children of this nation’s independent farm community. If it makes them seem like heroes, it’s because so many of them are.

Volkswagen “Get In, Get Happy”

Not since Taco Bell’s talking Chihuahua has a Super Bowl commercial made such good use of an old trick: lip sync someone else’s voice to completely change a character’s personality. Allstate Insurance does it with spokesman Dennis Haysbert’s dulcet tones and the e-Trade baby will forever be a classic, but VW’s new “Jamerican” is destined for greatness. I’ve already used “Don’ fret, me brother—sticky bun be comin’ soon!” a few times, and I’ll bet I’m not alone. This commercial hits the brand/image reinforcement nail on the head with a sledgehammer and probably will get a lot of votes for favorite car commercial of the game.

The Meh

Hyundai “Team”

Although the Santa Fe being advertised here could easily be swapped out for any other seven-passenger vehicle (the copy makes no product claims other than passenger capacity), this feel-good spot likely will be lauded for its anti-bullying message, and that’s okay with me. In the spirit of Diary of a Wimpy Kid, a supportive Mom helps her son round up a ragtag team of unlikely looking boys with remarkable physical skills (like bear wresting and welding) to teach football-stealing baddies a lesson. Whether you’re a Ravens or 49ers fan, here’s one team we can all root for.

Hyundai “Stuck”

Nobody likes to get stuck behind slow-moving vehicles. Even moderately unpleasant obstacles like horse trailers or bikers displaying their ample butts have you searching for the next passing zone, so imagine if you were inches behind a tanker truck dripping toxic fluids, an about-to-explode fireworks truck, or a trailer full of ICBMs aimed squarely at your windshield. If you had a 274-hp turbocharged Hyundai Sonata, you could put all that behind you in fast order. And that’s the point made by this well-art-directed, mildly humorous commercial. The Jeff Bridges voiceover might make the spot more entertaining for fans of The Big Lebowski’s “Dude.”

Kia “Hotbots”

This commercial is aimed at the 2014 Forte’s young, male target audience, who likely will appreciate the gratuitous body-slamming that the out-of-line geeky kid gets for dissing the robot chicks and smudging the car’s windows. I had to watch it a few times to realize that the noises at the beginning are robot movement sounds and not crows, though. Better audio mixing would have helped. The models look more like replicants than robots anyway. Daryl Hannah didn’t make noises when she moved, but Blade Runner was long before these kids were born. The copy says nothing. Literally.

The Worst

Hyundai “Epic Playdate”

As near as I can tell, this is a video for The Flaming Lips song “Sun Blows Up Today.” It looks like the creators made the spot up as they went along, maybe using The Beatles’ disjointed “Hard Day’s Night” for inspiration. The vignettes are embarrassingly dated, hopelessly trite, and wholly unbelievable. The Santa Fe is merely a prop—the commercial says nothing about it other than it carries seven passengers. The father’s last line confirms my suspicion that it was hastily thrown together as a Super Bowl special. Epic? Yes—as in fail.

Jeep “Whole Again”

Jeep and Oprah Winfrey teamed to make this two-minute tribute to our returning vets and their families. It’s a beautifully crafted, emotional salute that expresses the gratitude we all feel for those who serve our country and keep us safe from harm. And then they go and blow it all by turning it into a self-serving Jeep commercial. Another Chrysler brand, Dodge, has a terrific Challenger commercial that makes the same point by showing a returning soldier and his young son. In that spot, the car is key to the relationship but it’s never mentioned. Surely Jeep could have done the same.

Kia “Space Babies”

I’m going to go out on a limb and say that a lot of Super Bowl viewers—especially young mothers—liked this commercial about a father’s awkward answer to his son’s question about the birds and bees. They liked the adorable computer-generated babies (both human and animal), they liked the mostly sweet but wink-wink explanation that Dad offers, and they liked the inclusion of species from all lands. And I’ll stay out on that same limb to say that the vast majority of them won’t remember the vehicle being advertised. (It was the Sorento.) And who can blame them? It’s hardly ever shown.

Lincoln “Phoenix”

When Ford introduced the “Lincoln Motor Company” late last year, it invested millions of dollars to run a commercial that showed models from that brand’s glory days and told us that “this is about moving forward by looking back” to cars that proudly represented the Lincoln ideal. With this new commercial, it pulled a 180 and showed a ’90s Town Car that has a close encounter with a flame thrower and emerges as an MKZ, this time telling us that our memories of the brand are all wrong: “It’s not what you think.” Jeez, Lincoln, make up your mind!

Lincoln “Steer The Script”

To make the most of their social-media efforts, Lincoln teamed with Jimmy Fallon (and his extensive roster of Twitter followers) to create an MKZ commercial inspired by tweets about real people’s memorable road trips. Thousands of submissions were narrowed down to five tweets, which were cobbled together to make an entertaining 90-second spot. Of course, none of the original road trips happened in an MKZ, but the spot works nonetheless. At least in the longer version. But during the game, Lincoln aired the lame 30-second clip. They should have scrapped the “Phoenix” buy and run the longer one instead. Again, Lincoln, make up your mind! (We do dig the Wil Wheaton cameo, though.)

Toyota RAV4 “Wish Granted”

The Big Bang Theory’s Kaley Cuoco is funny and well-liked. So Toyota decided to make her a genie who grants wishes to RAV4 owners. Of course, this has nothing to do with reality (or the new RAV4), as this ridiculous commercial demonstrates. The spot is likable enough—gotta love the talking squirrels and Dr. Chocolate—but it’s completely irrelevant to the RAV4, which just sits in the driveway while Ms. Cuoco (stuffed into an ill-fitting purple pantsuit) and the Henderson family magically fly through time and space on their imaginary adventures. Two words come to mind: stupid and why?

Source: FULL ARTICLE at Car & Driver