Tag Archives: MIR

Kaj Ailomaa: Future Ubuntu Studio changes

The first UDS (Ubuntu Developer Summit) of the year has just started. It’s now an online event, held every three months, where Ubuntu developers and contributors meet and discuss future development goals.

UDS used to be a physical event, held every 6 months, just after a new release of Ubuntu. Traditionally participants is a mix of Canonical employees, sponsored participants, and volunteers. It’s free and open for anyone to attend. Usually at least the project lead of each of the official Ubuntu flavors would attend. In October I attended when it was held in Copenhagen, and the year before, in US, Scott Lavender, the project lead of Ubuntu Studio attended.

Many things are being discussed during UDS that might radically change how Ubuntu Studio, and other community Ubuntu flavors will be developed and supported in the future.

Moving Towards Rolling Release?

One of the major topics for this UDS is the discussion on whether or not Ubuntu should start using the rolling release model. The LTS(Long Term Release) will still continue, as Canonicals clients value that,  while the interim release is proposed to be dropped.

Many ideas are floating around how to make this work. So far, northing’s conclusive, but it seem sto me, reading mail lists and such, that many people want it to happen, even if this does cause quite a bit of disturbance among flavor developers, who have been planning for a release in April for the last six months.

X Window to be replaced by MIR

Many things were announced at the same time, and while the rolling release is still up for discussion, it seems that the move towards replacing the X window system with MIR is already decided. Of course, at this point nothing is for sure, since MIR still needs to be developed, and the change will not come instantly. The goal is for a full change by the release of 14.04 LTS.

This will be a huge change for the community, as it means either all of the desktop systems on Ubuntu will need to support MIR, or the current X window system will need to be fully supported by the community developerst, since Unity – the Ubuntu desktop system will not be using X, and thus, they will not be supporting it.

What will this mean for Ubuntu Studio?

Right now, we don’t really know. In many ways, Ubuntu Studio itself is quite flexible, as we do not actually depend on any specific windowing or desktop system (as long as our applications are able to run on it, though we prefer to stay with XFCE), and our main concern about the rolling release is really just will it be stable enough for users? Some of our users don’t need anything but a LTS, but that is a minority of our users. A potential rolling release will be our main release, and it needs to be good and usable.

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Source: FULL ARTICLE at Planet Ubuntu

Q&A on Russian 'crowned thieves'

The contract-style killing of Russian mobster Aslan Usoyan, also known as Grandpa Khasan, on Wednesday drew renewed attention to the extensive and elaborate culture of the country’s underworld figures who call themselves “crowned thieves” and “thieves in law.” Questions and answers about this shadowy world:

WHO WAS USOYAN?

The 75-year-old ethnic Kurd, born in Soviet Georgia, was first convicted in 1956. In the past two decades, he gained control over many criminal groups in Moscow, St. Petersburg and southern Russia, according to widespread accounts from police officials, organized crime experts and media reports. He purportedly controlled underground gambling, drug trafficking, prostitution and legal businesses including in the construction industry. He also kept obschak, an emergency fund for imprisoned top criminals behind bars — a position that gave him immense power. He also was a “top judge” who settled conflicts between other criminal clans.

WHY WAS HE KILLED?

Usoyan’s clan has been in a turf war since 2006 with the clan of Tariel Oniani, now serving a 10-year sentence for abduction and extortion. One of the prizes in the war is the allocation of multi-million-dollar construction projects in southern Russia, according to the respected newspaper Novaya Gazeta.

WHO ARE “CROWNED THIEVES?”

They are generally recruited in prison from among criminals who persistently refuse to follow prison administration rules, behave according to the thieves’ code and show talent. The crowning has to be conducted by at least three “crowned thieves,” and small handwritten notes are sent to other prisons with the new thief’s name and nickname. The subculture emerged in the 1930s in the Gulag prison camp system, where the criminals were equally hostile to prison administration and to political prisoners. They forged their strict code and punished apostates with beatings, rape or death. There are hundreds in the ex-Soviet Union, most of them in Russia.

WHAT’S IN THE CODE?

Crowned thieves rejected the Communist doctrine and could not befriend men in uniform, work for the state or even sing the Soviet anthem. Hundreds of criminals were killed by fellow thieves for donning uniforms and fighting the Nazis during World War II. The code also bans them from marrying or having long-term relationships. Usoyan had two children, but never married.

HOW DO THEY LOOK?

Although crowned thieves are supposed to have a modest appearance, they bear characteristic tattoos. Some tattoos are code words: MIR (peace) means “Only capital punishment will correct me;” VOLK (wolf) means “a thief is resting while a cop is dying.” Tattoos often have religious themes — depictions of the Virgin Mary and baby Jesus were the privilege of criminals who had served their first term as teenagers. A Russian Orthodox cathedral tattoo signifies by its number of domes how many terms the wearer has served. Only a top thief could have a tattooed crucifix with Jesus. Sometimes the tattoos denominate the bearer’s specialty or attitude: pickpockets have beetles and cats, a Nazi swastika means rejection of everything Soviet (but does not make its bearer a neo-Nazi), and a tall ship means the thief has no permanent residence.

HAVE THEY CHANGED SINCE THE 1991 SOVIET COLLAPSE?

The first post-Soviet decade was their heyday. They controlled racketeering and abductions, killed competitors in broad daylight, took over factories and oil refineries and promoted young politicians. One crowned thief led a paramilitary group that launched a coup against Georgia‘s first president and effectively installed Eduard Shevardnadze as successor. Meanwhile, after absorbing Western mafia culture — mostly from movies like “Godfather” and “Pulp Fiction” — they started changing their ways by adopting a luxurious lifestyle and “crowning” young thieves who never served time, prompting fierce disputes among their ranks.

The emergence of heroin, cocaine and synthetic drugs, which were not available in the Soviet Union, enriched them, but also contributed to the rise of their enemies such as ethnic gangs from Chechnya and other provinces of Russia‘s Caucasus regions.

WHAT IS THEIR STATUS NOW?

Their caste faces extinction or radical change in most ex-Soviet states. Some of them have evolved into godfather-like figures that run legal businesses and support sports clubs. Some have moved to the West, others are losing the war with a new generation of gangsters and ethnic mobsters who disrespect the old prison laws and enjoy the support of corrupt police officers.

WHAT DO THEY DO IN THE WEST?

They started migrating to the West in the late 1980s and soon became feared enemies of “traditional” criminal groups such as Italian and Colombian gangs. They smuggled Iraqi oil and pulled off scams such as the 2011 Medicare fraud by ethnic Armenian “crowned thieves” in California who used phantom health care clinics to try to cheat Medicare out of $163 million. They also dabbled in racketeering, drug smuggling, money laundering, human trafficking and prostitution. “Eastern Promises,” a 2007 criminal drama by David Cronenberg, depicts human trafficking schemes by Russian “crowned thieves” in Britain.

WHAT WAS THEIR INFLUENCE ON AVERAGE RUSSIANS?

In the Soviet era, street hoodlums romanticized them as the dark princes of the criminal underworld. Hundreds of folk songs about the hardships that jailbirds face on the inside and outside have evolved into a whole genre of popular Russian music known as shanson — torch-songs about unhappy cons, their mothers and sweethearts based on simple chord changes and old-fashioned electronic loops. Radio Shanson is one of the most popular stations in the country, and many cabbies drive their passengers crazy by playing it non-stop.

Source: FULL ARTICLE at Fox World News